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THAW
We interviewed Timo for our Featured Photographer spot back in May 2014. He’s currently in the final stages of preparing a new exhibition of images of the melting polar ice cap which opens in London next week. more
Photography on the Trail
By its very nature, landscape photography requires the photographer to be outdoors. But what happens when you extend that time in the wild to days or weeks? How does that change your approach to photography more
Roger Voller
For a few, photography may be about gear and technique; for many, it is an escape from day to day responsibility and the experience is as important as the resultant images; but increasingly its importance is as an outlet for our frustrated creativity. more
First Light Inspired Exhibition Launch 4th March
In Issue 130 we announced the launch of our next exhibition at the Joe Cornish Gallery. Working with Adam and Jo from the gallery, we wanted our second exhibition at the gallery to show what an influence Joe Cornish has been on landscape photography in the UK. Going back through our featured photographers and other interviews (and talks at the conference), the common theme with a lot of photographers was who they drew inspiration from when they were defining their more
Photography and The Wonder of Life
By asking photographers why they photograph I learned that many are unable to clearly articulate their reasons; and among those who do cite such reasons, I am often intrigued by the diversity of answers. more
Why I love my iPhone for landscape photography
I think that the French painter and sculptor Jean Dubuffet (1901-1985) would approve of the iPhone in the making of art. Dubuffet eschewed traditional aesthetics in favour of what eventually became known as art brut, or outsider art. more
The Death of Landscape Photography is greatly exaggerated
While it is fair to identify that there are derived patterns and stylistic elements in landscape photography, “imitation” if you wish to be pejorative, the same could be said of all art forms, which build on and develop from established frameworks. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Gerald Rowles, Idse Herrema, Jim Love & Stuart Clook. more
Gale Warning
Infrared conversion on a Canon 7D opens up the colour to convey the wild wind resisted by the trunks and tossing the foliage. more
Precious Landscapes
This latest work entitled Precious Landscapes uses the latest digital camera technology of the 21st century with the 19th century print making process of platinum, palladium and kallitype. more
No Leaves
Trees without leaves show their intricate shapes and fantastic blend of rigidity and flexibility to cope with the wind, water in all its forms, and water's weight. more
Rocky Mountain Pursuit Of “Aboutness”
The question I was asked by an associate when I extolled the rugged beauty of the Rocky Mountains was, “What do you do with it?” implying that some universal utility function needs be applied to any natural landscape or structure, or aesthetic object in order for it to have value. more
Thomas Peck’s Critiques
Living just next to Epping Forest I have always been fascinated by images of trees. They can be wonderfully expressive things. Not easy to photograph, though. Too chaotic, seemingly random, difficult to isolate from surroundings. more
Ellie Davies
It’s hard to describe your own work, but for me, it’s landscape because it’s about the natural world and my relationship with it and looking at our relationship with the places that we live and visit in the wider sense. more
A look into Romania’s nature
When it comes to the diversity of the land and the animals that populate it, Romania, my home country and a relatively unknown place among photographers, is probably one of the first among the European countries. more