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8×10 film vs IQ4 150mp
It’s been a few years (over 8!) since we performed our mammoth “Big Camera Comparison”. For those of you who haven’t seen it, we compared medium format and large format film against various digital cameras including the then cutting edge Phase One IQ280, an 80mp CCD sensor which we used on a Linhof Techno, an Alpa and a Cambo technical camera (we also tested a D800 and a 5Dmk2). You can find the results of that test here but more
Hamish Frost
Hamish Frost has taken his passion for the outdoors, added photography to the mix, and developed this to the point where he has managed to build a new career for himself photographing people enjoying the landscape. more
Why did you take it?
This question is not given a lot of thought and this can be the difference between an excellent image and an average, or even a bad one and responses can be convoluted and unclear. more
On Autumn
Just as we miss the autumn colours if we don’t look up in our busy lives, we can miss the autumn of our lives if we don’t make an effort to fully live it, to be fully in it. more
Roundtable Discussion on the Environment for Landscape Photographers
On our 200th issue, we decided to have a special Passing Through podcast. David Ward and Joe Cornish are running a workshop in the area and Ted Leeming and Morag Paterson are in Scotland. We decided to invite them to a roundtable discussion on what we as landscape photographers can do to help protect the environment and mitigate climate change. more
Intimate woodland
The mornings of winter bring with them the magic of places hidden by a misty layer, which slowly thins out, discovering the shapes and colours of intertwined branches, each one ready to tell its story. more
End frame: Dovercourt Lighthouse by Neil Hulme
The lighthouse is a subject that has been shot many times but I think Neil has delivered an image with an air of reflective beauty and mystery. more
Cooke PS945 & XVa Lenses
As you probably know, On Landscape isn’t the normal ‘reviews, adverts, competitions and special offers’ website. Although, we have done the occasional review where there has been a gap in the available information (ND filters, Grads, etc) we generally try to avoid them. However, we did notice that there was a big gap in the market for reviews of high-end 8x10 pictorial lenses so we figured we could probably add at least one new reader if we could get more
Alan Henriksen
I’m delighted to have come across Alan Henriksen’s detailed explorations of the natural and the man-made on Lensculture recently. As well as sharing his images with you, he has some rather special anecdotes too. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature are from subscribers: Erik Nilsson, Jesibel A. Fernández, John Roias & Richard Heinrich. more
Succulents – Out of Focus
The high deserts of Arizona, New Mexico and Texas inspire me to take intimate images of the landscape. more
Canadian Rockies Backcountry
I've spent the last few days sifting through the thousands of images I've taken over this past summer whilst working full time in the backcountry of Canada's Banff National Park more
Letters of Alforria
Photograph of the series Black Flowers: Rejected by colors. Betrayed by our own mind we ignore things we only reject. We look at horizons to fill a mind full of voids, but as too much sugar sickens, soon we turn away. We are insatiable. Between earth and man, there is an unannounced dispute and her name is 'Who does it best?' One more
Expressive Trees
These four images hopefully depict my interest and passion for using ICM (in -camera-motion) and multiple exposure photography as a way to express my interest in more subtle, abstract and ephemeral imagery, as well as experimental imagery. more
Living Lightly in a Consumerist Industry
In today's global photography community, the temptation of an extra few megapixels here, and a slightly sharper lens there, or any modicum of additional functionality is hard to avoid with gear chat being one of the core currencies of conversation among fellow 'togs more