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Krista McCuish
For those that find the North truly magnetic, the idea of limitless wetlands and coastal areas where nature still holds sway may just make you a little envious. more
The Second Kind
What, then, are the things that second-kind photographers “gain by taking pictures they are interested in,” that are significant enough to warrant declining a prestigious job offer? more
A Shaded Path
The project was based on four months in Kyrgyzstan, highlighting the generational disparities between those nostalgic of the abolished USSR order and modern westernised youths born after the fall. more
Featured Photographer Revisited
Tim spoke to Lizzie Shepherd for our Featured Photographer spot back in March 2013. Looking through her website it’s clear that her image making has developed since the original interview more
Printing makes you a real photographer
My argument against printing is, in fact, not against printing at all. It is against everyone printing or feeling that must print. more
If No One Saw Your Photographs
Despite the flood of pictures we see on a daily basis, I still believe in a photograph’s ability to influence people’s behaviours and decisions. more
Issue 170 PDF
Click here to download issue 170 (high quality, 110Mb) Click here to download issue 170 (smaller download, 59Mb) more
End frame: ‘Shadows on the wall, Firostephani’ by Clive Minnitt
The angle used perfectly displays the design of the composition - the ever important gap between the terracotta vessel and the edge of the staircase. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Christine Lavanchy, Michael Berg, Stuart Westmore & Vladimir Kysela more
Joan Kocak
Developing themes and series is the way I work best. I don’t always start out with a particular theme; often it just happens. Over time a pattern of images presents itself and becomes a series. more
The Collaborative Photographer
Photography, at least in the way I practice is, is a complete solitary endeavour, and in fact, that is one of the things that attract me the most about it. more
Changing Perceptions in Landscape Photography
If the message is meant to raise awareness or be a call to action, then the photographer is best served by also adopting behaviours and strategies that support the veracity of their narratives. more
Landscape and Abstraction
My assertion, “landscape lacks a ‘subject’” must be debatable; perhaps that is why the lone tree remains a hardy perennial for landscape photographers, for the apparent isolation of the tree lends it a presence and also an inherent storyline (loneliness, resilience against the elements, confidence etc). more
The Dolomites
“The Dolomites are widely regarded as being among the most attractive mountain landscapes in the world” more
Issue 169 PDF
Click here to download issue 169 (high quality, 128Mb) Click here to download issue 169 (smaller download, 77Mb) more