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Community Exhibition Catalogue
We have created a PDF of all the images which were submitted to the community exhibition. Our thanks go to each of our delegates for supporting the conference and for making it such a brilliant event. more
Thomas Fleckenstein
Thomas has lived in Iceland for just over 20 years now and is perfectly placed to share some insights into his adopted home. more
Moor Than Tors – Dartmoor
This is the culmination of my last 6 years work and a celebration of perhaps the lesser known areas of both the uplands and lowlands. more
The Power of Transitions
As in life, transitions are one of the most important tools in photography, and in this article, I want to look at what they are, their origin and types. more
Graduated Filter Colour Accuracy Testing – Part Two
Sometimes you think you've got things so right and yet, when you look at the result, you realise that something has gone significantly wrong. In the last issue I published the results of a series of test on graduated filters, even though I had a few doubts about the results. more
End frame: “Trees in Gale” by Sir Wilfred Thesiger
Thesiger, a largely self-taught photographer, realised that he could bring to life the incredible scenery he witnessed and the peoples whose cultures he respected and cherished. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Ben Schreck, Jack B Turner, Nils Leonhardt & Simon Gulliver. more
Broken Trees
Having the opportunity to revisit these locations it is surprising how dynamic the woodland can be. more
Spirit of Place: The Colours of Autumn
A tight and compressed scenery, hostile to any landscape photographer. But these trees had that grand coloured leaves that captivated my attention. more
Sun & Sand
The East more than makes up for its lack of mountains with its 500 miles of coastline. more
Between Two Caps
The breathtaking cliffs between the two caps Erquy and Frehel inspire me again and again. more
Krista McCuish
For those that find the North truly magnetic, the idea of limitless wetlands and coastal areas where nature still holds sway may just make you a little envious. more
The Second Kind
What, then, are the things that second-kind photographers “gain by taking pictures they are interested in,” that are significant enough to warrant declining a prestigious job offer? more
A Shaded Path
The project was based on four months in Kyrgyzstan, highlighting the generational disparities between those nostalgic of the abolished USSR order and modern westernised youths born after the fall. more
Featured Photographer Revisited
Tim spoke to Lizzie Shepherd for our Featured Photographer spot back in March 2013. Looking through her website it’s clear that her image making has developed since the original interview more