Join the conversation
Subcribe to comment rss feed
Kilian Schönberger
Kilian Schönberger is a professional photographer & geographer from Germany. He has previously said that he sees being colour blind as a strength – given the difficulty of distinguishing certain tones, he concentrates on pattern and structure. more
The Edges Of These Isles
This project is a collaboration between artist Tom Musgrove and photographer Simon Bray, depicting seven landscape locations from across the British Isles using their respective mediums. more
Focusing The Manual Way
Since I am mostly shooting landscapes I prefer using manual focusing. I have never really understood how to use autofocus when shooting a landscape. more
John Blakemore
In our third talk of the day, John Blakemore discusses the series of reinventions of his photography from his beginnings after leaving the RAF through his large format black and white projects and up to his current 35mm film work taken around his house in Derby. more
End Frame: René Burri – Men on a Rooftop – Sao Paulo 1960
Andrew Tobin chooses one of his favourite images: René Burri - Men on a Rooftop - Sao Paulo 1960. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Alan Ranger, Dave Kosiur, Deigh Bates & Mike Prince more
West Harris
Harris is a capricious muse. Weather conditions are handed out in random fashion at best and seemingly with spite at worst. more
Storm over Steens Mountain
This set of images runs from a morning view of Mt. Jefferson taken north of the town of Madras, OR, moves down to Antelope Canyon in Central Oregon. more
Island Spring Tapestries
Spring here on Orcas Island (WA, USA) seemed to start a little late this year, but it's finally arriving. I took these photos at various locations in the woods on the island, all using my IR-converted digital camera. more
Spittal Rock
Spittal beach is one of my favourite spots on the Northumbrian coastline. The sandstone rock formations are simply magical and rich in colour, texture and shapes. more
Thomas Peck’s Critiques
Colin Westgate’s rather lovely image Island in the Mist is right on the edge of that minimalist/abstract divide. There are perhaps two clear hooks that anchor the picture in reality. more
The Workshop Experience
I was finally booked onto a residential workshop, my first, with Thomas Joshua Cooper at Peter Goldfield's Duckspool in Somerset. I'm not sure who or what I was expecting. more
On Becoming
Photography to me has always been a way of augmenting experiences, rather than something to pursue for its own sake. more
Fleeting Reflections
Having to return to the same location time and time again over several months, I began to notice shapes and patterns that motivated me to try to capture in photographic form the images that I was I visualising in my mind. more
Abelardo Morell
In the early nineties, Abelardo Morell’s decision to photograph the Camera Obscura effect led to an exploration of the interaction between the outside and the inside, initially in black and white and later in colour. He subsequently devised a portable room – effectively a tent fitted with a periscope – which enabled him to take his work outdoors, first into the desert and then into American National Parks. His images of the landscape have an impressionistic quality, but for more